She lifts her skirt up to her knees
Walks through the garden rows with her bare feet, laughing
And I never learned to count my blessings
I choose instead to dwell in my disasters…
Ray LaMontagne, Empty (via plantlogy)
A year ago we stayed up till 3 am talking
And today I don’t know how to even say hey

Lana Del Rey for Rolling Stone Magazine

Lana Del Rey for Rolling Stone Magazine

The Master was the first motion picture in 16 years to be filmed on 65mm format using Panavision’s System 65 camera. Around 85% of the film was shot in this format, with the rest shot on 35mm. The last full-length motion picture to be shot in 65/70mm was Kenneth Branagh’s 1996 adaptation of William Shakespeare’s Hamlet. The decision to shoot in 65mm came from a desire to replicate the look of photos taken by vintage Pressman cameras, which use large-format 4x5-inch film. This also led to the use of the narrower 1.85:1 aspect ratio (65mm has a native aspect ratio of 2.2:1). Director Paul Thomas Anderson initially suggested shooting the film in VistaVision, and test footage was shot in that format, but the shallow-focus effect was not pronounced enough (x).

leighton meester and ed westwick for elle korea

bllonde:

sorry i can’t go to your party next month i have a headache

xangeoudemonx:

Alexander Wang Spring 2010.

xangeoudemonx:

Alexander Wang Spring 2010.

teenageiconophile:

*seduces the president so i can find out the truth about aliens*

donutduchess:

play broad city at my funeral

yungkawaiiinigga:

M.I.A raps with her regular english accent so idk why iggy azalea out here doin impressions of Diamond from Crime Mobb

©